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TIME: Almanac 1995
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TIME Almanac 1995.iso
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1995-02-26
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<text id=91TT2403>
<title>
Oct. 28, 1991: A Ruthless Raider's Romance
</title>
<history>
TIME--The Weekly Newsmagazine--1991
Oct. 28, 1991 Ollie North:"Reagan Knew Everything"
</history>
<article>
<source>Time Magazine</source>
<hdr>
CINEMA, Page 92
A Ruthless Raider's Romance
</hdr><body>
<p>By Richard Schickel
</p>
<qt>
<l>OTHER PEOPLE'S MONEY</l>
<l>Directed by Norman Jewison</l>
<l>Screenplay by Alvin Sargent</l>
</qt>
<p> Doughnuts, dogs and money. According to Lawrence
Garfield, better known as Larry the Liquidator, they are the
three things everyone loves in a straightforward, uncomplicated
way. Money, of course, has the advantage over the others in that
it is fat-free and cannot poop on the living room rug.
</p>
<p> Blessings on cynical Larry, whom tiny, manic Danny DeVito
was born to play. He may be the scourge of conservatively
managed corporations that labor under the delusion that the
business of business is to manufacture something useful, even
to be something useful as a provider of jobs and community
stability. Larry's insistence that business's only business is
to maximize shareholder profits may be reprehensible to most
people. But he's a bubbling fount of zestful zingers, nasty but
never less than half truthful, and often entirely so. Most
important, DeVito's Larry is the power source for Other People's
Money--a little C-cell that somehow manages to keep a
handsome, reasonably pertinent but sometimes draggy movie
sparking along.
</p>
<p> Jerry Sterner's off-Broadway comedy turned a lot of weary
Wall Street players into enthusiastic playgoers two seasons
ago. It managed to disapprove of Larry while giving him all the
best lines and, in the end, the winning position in a classic
'80s confrontation: ruthless raider vs. responsible
corporation. Larry's target of opportunity is staid, gently
paternalistic New England Wire & Cable. Only one man could
possibly be its CEO, and, sure enough, Gregory Peck has the job.
His "Jorgy" Jorgenson is as stiff as Larry is slinky, a man
who's all stature and no smarts. Luckily his longtime lover and
assistant (Piper Laurie) has a daughter, Kate, who is building
a career as a brilliant Wall Street lawyer. If anybody can save
management, she can.
</p>
<p> Or so we're supposed to think. The trouble is that
Penelope Ann Miller, who is a lovely ingenue (see The Freshman),
is entirely wrong for the role. The plot requires Larry to fall
in love with Kate at first sight, shrewdly seeing what neither
she nor anyone else does: that she is his soul mate in
amorality. Eventually Kate is supposed to find this very sexy.
But such tough-minded complexity Miller cannot find within
herself. So what was once a cheerful amorality play turns into
a much more conventionally moral movie--complete with a
"nicer" ending than its source.
</p>
<p> Still, DeVito's developing Napoleon complex is fun to
watch, and Haskell Wexler's cinematography--part
semidocumentary, part burnished formalism--is entrancing. It
is a serious defect of our movies, our fictions in general, that
they generally ignore what may be the central, and is surely the
most entertaining, drama in American life: high-stakes corporate
wrangling. So here's one proxy cast in favor of Other People's
Money, whose managers have at least risked opening a new product
line in these difficult times.
</p>
</body></article>
</text>